2/20/2023 0 Comments Reamp without reamp box![]() You can simultaneously record a dry track and a processed track. Frankencopter is correct - the XLR in is mic level - you can tweak the gain, but it's easier to use the aux in or one of the loop ins.)īut honestly, unless you are multitracking with other instruments, just using your Helix as the interface for guitar tracking is the easiest - just switch interfaces when you're recording guitar. Just set the Helix inputs accordingly and experiment a little if it doesn't sound right. I'm also pretty sure the XLR outs from the XR18 are line level. The Helix hardware does have an impact on tone because of the input section - IIRC the dynamic range of the input section is better than most interfaces - but you are by passing that with the XR18, so not sure if its relevant. used the search function but found nothing about using reamp box. Using the analog in/outs it depends very much from your soundcard, mostly.17 posts Hi. I have an i7 10700 and it has no issues with Native at all. Not if you use SPDIF in/out to connect the kemper to the soundcard. It even goes on sale occasionally - I got mine for $69 (I think? $30 off?). Now that you understand the basics, go forth and surprise yourselves! Reamping has so many applications, we bet you come up with something we haven’t even thought of.Click to expand.I'm pretty sure the Native deal is always available. But at least you can worry about crafting that perfect setting later and just start recording. Here too, the original audio is still necessary for the player to hear themselves, for the band and engineer to monitor, and to have a rough mix from the start. In the case of a MIDI-equipped synth or digital piano, recording both the audio and the MIDI outs reserves the option to make subtle tweaks, select an entirely new patch, or even swap the synthesizer. ![]() In a way, reamping is for guitar what recording MIDI is for keyboard. Between either extreme you also have the hybrid option of applying digital processing to the recorded signal before or after analog reamping. It removes the need for a room with nice acoustics, a reamp box, or indeed a good amp and stomp boxes. Taking this one step further, the clean signal can also be processed by software or hardware emulations, which are often very close to the real thing and in some contexts will work even better. Here again, the processed sound can be recorded too for convenience and efficiency, but having the clean sound allows for reamping with the perfect signal chain and settings at a later point in time. Bedroom guitarists plugging directly into an interface with built-in hardware processing can hear themselves with amp and stomp box on the monitor path, while recording the clean signal. The same reamping rules apply to digital emulations of amps and stomp boxes. This would not be the case when just recording the signal directly without real amplification. While this means you cannot adjust these effects post-performance, it would be a shame to lose for instance the movements of a wah or volume pedal, which are an integral part of the performance.įinally, as the feedback of an overdriven amplifier close to the electric guitar makes the notes sustain, you will still have those preserved notes in the clean recording. You can put some pedals before the DI box, too. It also allows you to play back a more realistic sounding track immediately after recording. You might as well put a mic in front and record this, too! Even if you don’t end up using this sound, it will give those in the control room (or playing along on headphones) a much better impression of what the music will eventually be. While recording, the signal also still goes to the amp and effects unaltered, so that the player and band hears the sound they’re used to. For stomp box processing only, you would record the processed sound via DI again. ![]() In case you are recording an amplifier, you will need a microphone input to capture the sound. Simply using a line output would not work as this does not have the impedance and level required by an amplifier input. For the actual reamping, you need a dedicated reamping box or a reamp output as you might find on for instance the Zen Tour or Discrete 8 Pro interfaces. You put an active DI box after the guitar, which lets the signal pass through unchanged, but also splits off a version that you can route to your interface.
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